Resource Library

Banjul, June 12, 2019—“Never Again!” sings Awa Bling in her recently released song produced with the support of ICTJ. She is part of a movement of youth and prominent artists who are reclaiming this universal slogan by creating their own songs about transitional justice and bringing their voices to some of the most forgotten regions of The Gambia. Local and international fans can now access new music videos released on social media by five talented Gambian hip hop artists.

Kaneleng are women who cannot bear children or whose children died at an early age. At a two-day summit held in December 2018, 25 kaneleng received training on transitional justice concepts. They worked to develop songs, comedy, and dramas that they will use to present justice messages through their work as traditional communicators.

For 21 years, the people of The Gambia lived under the dictatorship of military strongman Yahya Jammeh. Now, The Gambia is working to step up to the challenge of unpacking the past, building a brighter future, and ensuring that it never relapses into repression, violence, and exclusion. The ICTJ spoke with Dr. Baba Galleh Jallow and Musu Bakoto Sawo, the Executive Secretary and Deputy Executive Secretary of the TRRC, respectively, to hear their insights about their work and how the TRRC can build upon other efforts to put victims at the forefront of The Gambia’s transformation .

In July, the ICC Trial Chamber II rejected victims’ reparations claims in an appeal of the ruling for Germain Katanga, brought by five descendants of the 2003 Bongoro massacre who had suffered psychological harm. In trying to prove causation, the judges considered that the closer the date of birth to the atrocities committed, the greater the likelihood of transgenerational harm. In my view, this linear understanding is flawed. It does not capture the complexity of psychological responses to trauma

Angkar, screened on June 16 at the New York Human Rights Watch Film Festival, follows Khonsaly, a victim of the Khmer Rouge, on his journey to the village he fled almost 30 years ago. The film, produced by Neary Adeline Hay about her father's experience with torture and repression, is an intergenerational offering to truth and memorialization work that dances between the inheritance of abuse and its painful recollection by a survivor.

A new ICTJ report argues that in Africa's interconnected Great Lakes region, each country’s attempt to provide justice for past violations offers lessons for similar processes in others. We gathered civil society activists from across the region to discuss which strategies have worked for them, which have not, and opened up about the greatest challenges they face in securing justice.

Today, ICTJ opened a two-day conference in Kampala, Uganda, gathering activists and officials from the African Great Lakes Region to discuss efforts at redress and accountability for serious human rights violations committed in their countries.

Civil society leaders, members of victims' groups and state officials throughout the Great Lakes region will convene in Kampala, Uganda next week at a conference hosted by ICTJ. Attendees will share their experiences working for redress in their communities and discuss what strategies have proven effective at the local level.

As we search for ways to halt the violence and foster lasting peace in societies grappling with a legacy of massive human rights abuse, there is arguably no more important day to reflect upon the importance of the struggle for truth and justice than today, March 24. Thus, we take a moment to mark the International Day for the Right to the Truth concerning Gross Human Rights Violations and for the Dignity of Victims.

The new film "Don't Think I've Forgotten: Cambodia’s Lost Rock and Roll" explains the events of 1960s and 70s through the eyes of the musicians and artists who ushered in a new era of sound, only to be silenced too soon. As the world commemorates the 40th anniversary of the genocide in Cambodia, the new documentary presents the untold story of how their music managed to survive.