Resource Library

ICTJ’s partner Afghanistan Human Rights and Democracy Organization (AHRDO) recently opened a new virtual museum and database dedicated to Afghan victims of conflict and human rights abuses. “The Afghanistan Memory House” not only preserves the memory of these victims but helps pave the path for truth and justice. To launch the virtual museum, ICTJ and AHRDO cohosted a panel discussion on memorialization, moderated BBC journalist Lyse Doucet, in ICTJ’s office in New York this past December.

Since the Taliban seized control of Afghanistan in August 2021, the regime has put in place a series of policies severely restricting independent media and giving it all but total control over news outlets and their content. Kobra Moradi is a lawyer and researcher working with Afghanistan Human Rights and Democracy Organization and author of the recent report, Afghan Media Under the Taliban: Restrictions and Violations. ICTJ sat down with the author to learn more about what impact these restrictions have had on journalists and the free press, and the important role media can still play in such a repressive regime.

In 2021, there were significant developments, some hopeful and some devastating, in the struggle for truth, accountability, and redress in countries around the world. ICTJ experts covered these events in commentaries and feature stories published on our website and in our newsletters. While 2022 is already underway and we at ICTJ are hard at work, we would like to pause a moment to take stock and reflect on the year that was.

After several years hiatus, ICTJ has recently resumed work in Afghanistan. Last month, ICTJ’s communication intern, Edward Mercado-Gumbs, sat down with expert and cohead of ICTJ’s program in Afghanistan Reem El Gantri to discuss ICTJ’s latest engagement in the country, as well as the prospects for justice and peace.

Indigenous peoples are still some of the most marginalized and vulnerable communities around the world. In a conflict, they are often some of the most affected as their resource-rich territories are coveted by powerful and violent groups, their identity and loyalty perceived with mistrust, and their...

Angkar, screened on June 16 at the New York Human Rights Watch Film Festival, follows Khonsaly, a victim of the Khmer Rouge, on his journey to the village he fled almost 30 years ago. The film, produced by Neary Adeline Hay about her father's experience with torture and repression, is an intergenerational offering to truth and memorialization work that dances between the inheritance of abuse and its painful recollection by a survivor.

To mark the launch of our new publication, "Forms of Justice: A Guide to Designing Reparations Application Forms and Registration Processes for Victims of Human Rights Violations", we sat down with Jairo Rivas about his work in designing reparations forms in Peru and Colombia.

On the International Day for the Right to Truth we spotlight one of the most powerful ways truth commissions can reassert victims' dignity: public hearings. These open events can have a potentially cathartic power for victims and their families, but also the public at large by generating solidarity and empathy for the suffering of others in societies deeply polarized and traumatized by atrocities and denial.

Understanding education as a form of both reconstruction and reparations is essential for societies in their efforts to address victims’ rights and help victims and their families overcome the consequences of a painful past.

The new film "Don't Think I've Forgotten: Cambodia’s Lost Rock and Roll" explains the events of 1960s and 70s through the eyes of the musicians and artists who ushered in a new era of sound, only to be silenced too soon. As the world commemorates the 40th anniversary of the genocide in Cambodia, the new documentary presents the untold story of how their music managed to survive.