Resource Library

Banjul, The Gambia – On October 26, 2019, t he International Center for Transitional Justice (ICTJ) in partnership with an artist collective in The Gambia will premier e a short documentary film about a group of young musicians and activists taking part in the country’s unfolding transitional justice process.

On October 14, The Gambia’s Truth, Reconciliation and Reparations Commission will begin public hearings with women victims who have dared break the nation’s silence around sexual violence. The hearings represent an important step toward the inclusion of women and their experiences in the Gambian truth-seeking process. But we cannot stop there.

The Gambian Truth, Reconciliation, and Reparations Commission (TRRC) started its operations in January 2019 with the public hearings of witnesses, victims, and perpetrators. It has already succeeded in having high-profile perpetrators testify publicly on their role in violations concerning several victims. But the question is, who should be at the center of truth telling?

Banjul, June 12, 2019—“Never Again!” sings Awa Bling in her recently released song produced with the support of ICTJ. She is part of a movement of youth and prominent artists who are reclaiming this universal slogan by creating their own songs about transitional justice and bringing their voices to some of the most forgotten regions of The Gambia. Local and international fans can now access new music videos released on social media by five talented Gambian hip hop artists.

Kaneleng are women who cannot bear children or whose children died at an early age. At a two-day summit held in December 2018, 25 kaneleng received training on transitional justice concepts. They worked to develop songs, comedy, and dramas that they will use to present justice messages through their work as traditional communicators.

For 21 years, the people of The Gambia lived under the dictatorship of military strongman Yahya Jammeh. Now, The Gambia is working to step up to the challenge of unpacking the past, building a brighter future, and ensuring that it never relapses into repression, violence, and exclusion. The ICTJ spoke with Dr. Baba Galleh Jallow and Musu Bakoto Sawo, the Executive Secretary and Deputy Executive Secretary of the TRRC, respectively, to hear their insights about their work and how the TRRC can build upon other efforts to put victims at the forefront of The Gambia’s transformation .

Angkar, screened on June 16 at the New York Human Rights Watch Film Festival, follows Khonsaly, a victim of the Khmer Rouge, on his journey to the village he fled almost 30 years ago. The film, produced by Neary Adeline Hay about her father's experience with torture and repression, is an intergenerational offering to truth and memorialization work that dances between the inheritance of abuse and its painful recollection by a survivor.

The new film "Don't Think I've Forgotten: Cambodia’s Lost Rock and Roll" explains the events of 1960s and 70s through the eyes of the musicians and artists who ushered in a new era of sound, only to be silenced too soon. As the world commemorates the 40th anniversary of the genocide in Cambodia, the new documentary presents the untold story of how their music managed to survive.

Transitional justice practitioners and activists from 18 different countries gathered in Barcelona to attend the 6th Intensive Course on Truth Commissions, organized by the ICTJ and the Barcelona International Peace Resource Center on September 29 - October 3.

On August 7, the Extraordinary Chambers in the Courts of Cambodia (ECCC) found two senior leaders of the Khmer Rouge, Nuon Chea and Khieu Samphan, guilty of crimes against humanity. For many victims who have been waiting for 35 years, the judgment still felt like bittersweet justice.