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The Arabic word “Zyara” means “visit” in English. The Zyara documentary series takes an innovative, deeply personal approach to storytelling with a view to nurturing collective social and emotional healing. Through candid encounters, it paints poetic portraits of four Yemenis refugees living in Oman, including a human rights lawyer and activist, a restaurant worker, a martial arts champion, and a businessman. By telling their stories and celebrating the resilient spirit of the Yemeni people, the Zyara project seeks to raise awareness and preserve truth and memory.

In 2016, the Yemeni National Commission to Investigate Alleged Violations to Human Rights began documenting violations committed since the 2011 uprising and during the subsequent brutal civil war, which continues today. To date, the commission has documented more than 23,000 human rights abuses and referred over 2,000 cases to Yemen’s Public Prosecutor for prosecution. However, no verdict has been issued in any of these cases. To help the commissioners and members of Yemen’s judiciary advance accountability, ICTJ organized a workshop for them on transitional justice mechanisms. However, to deliver a justice that meets all the reparative needs of victims, these efforts must be an integral part of a broader, multifaceted transitional justice process.

Even as the parties to the war in Yemen fail to extend the UN-brokered ceasefire, field monitors of the National Commission to Investigate Alleged Violations to Human Rights (NCIAVHR) continue to document and investigate human rights violations despite enormous challenges and serious risks to their...

Indigenous peoples are still some of the most marginalized and vulnerable communities around the world. In a conflict, they are often some of the most affected as their resource-rich territories are coveted by powerful and violent groups, their identity and loyalty perceived with mistrust, and their...

Angkar, screened on June 16 at the New York Human Rights Watch Film Festival, follows Khonsaly, a victim of the Khmer Rouge, on his journey to the village he fled almost 30 years ago. The film, produced by Neary Adeline Hay about her father's experience with torture and repression, is an intergenerational offering to truth and memorialization work that dances between the inheritance of abuse and its painful recollection by a survivor.

To mark the launch of our new publication, "Forms of Justice: A Guide to Designing Reparations Application Forms and Registration Processes for Victims of Human Rights Violations", we sat down with Jairo Rivas about his work in designing reparations forms in Peru and Colombia.

On the International Day for the Right to Truth we spotlight one of the most powerful ways truth commissions can reassert victims' dignity: public hearings. These open events can have a potentially cathartic power for victims and their families, but also the public at large by generating solidarity and empathy for the suffering of others in societies deeply polarized and traumatized by atrocities and denial.

Understanding education as a form of both reconstruction and reparations is essential for societies in their efforts to address victims’ rights and help victims and their families overcome the consequences of a painful past.

The new film "Don't Think I've Forgotten: Cambodia’s Lost Rock and Roll" explains the events of 1960s and 70s through the eyes of the musicians and artists who ushered in a new era of sound, only to be silenced too soon. As the world commemorates the 40th anniversary of the genocide in Cambodia, the new documentary presents the untold story of how their music managed to survive.

Transitional justice practitioners and activists from 18 different countries gathered in Barcelona to attend the 6th Intensive Course on Truth Commissions, organized by the ICTJ and the Barcelona International Peace Resource Center on September 29 - October 3.