49 results

Banjul, June 12, 2019—“Never Again!” sings Awa Bling in her recently released song produced with the support of ICTJ. She is part of a movement of youth and prominent artists who are reclaiming this universal slogan by creating their own songs about transitional justice and bringing their voices to some of the most forgotten regions of The Gambia. Local and international fans can now access new music videos released on social media by five talented Gambian hip hop artists.

Kaneleng are women who cannot bear children or whose children died at an early age. At a two-day summit held in December 2018, 25 kaneleng received training on transitional justice concepts. They worked to develop songs, comedy, and dramas that they will use to present justice messages through their work as traditional communicators.

This report aims to help practitioners in the transitional justice field to understand the experience of establishing and operating hybrid courts and to address some common assumptions about these entities. To do so, it looks at hybrid or mixed courts in practice, drawing on experienc...

For 21 years, the people of The Gambia lived under the dictatorship of military strongman Yahya Jammeh. Now, The Gambia is working to step up to the challenge of unpacking the past, building a brighter future, and ensuring that it never relapses into repression, violence, and exclusion. The ICTJ spoke with Dr. Baba Galleh Jallow and Musu Bakoto Sawo, the Executive Secretary and Deputy Executive Secretary of the TRRC, respectively, to hear their insights about their work and how the TRRC can build upon other efforts to put victims at the forefront of The Gambia’s transformation .

Last week, police opened fire on unarmed protesters, killing three and injuring several others in Faraba Banta, a small town in southwestern Gambia. ICTJ condemns these acts and supports civil society and victims in their call for swift actions ensuring justice, reparations, and an independent investigation into the causes of the attacks.

Angkar, screened on June 16 at the New York Human Rights Watch Film Festival, follows Khonsaly, a victim of the Khmer Rouge, on his journey to the village he fled almost 30 years ago. The film, produced by Neary Adeline Hay about her father's experience with torture and repression, is an intergenerational offering to truth and memorialization work that dances between the inheritance of abuse and its painful recollection by a survivor.

In this op-ed, ICTJ Vice President Paul Seils analyzes the criminal justice agreement announced by the Government of Colombia and the FARC and discusses what aspects of the deal need clarification to ensure that it is capable of delivering the kind of truth and justice that victims of Colombia's armed conflict deserve.

The new film "Don't Think I've Forgotten: Cambodia’s Lost Rock and Roll" explains the events of 1960s and 70s through the eyes of the musicians and artists who ushered in a new era of sound, only to be silenced too soon. As the world commemorates the 40th anniversary of the genocide in Cambodia, the new documentary presents the untold story of how their music managed to survive.

Many in Colombia are also interested in learning from international experiences where criminal accountability measures were applied to pursue justice after massive human rights violations, like in Bosnia and Herzegovina, Cambodia, Sierra Leone and East Timor. With the aim of promoting an exchange of ideas on what lessons could be useful for Colombia, the ICTJ will be holding a conference in Bogotá on November 24th.

Transitional justice practitioners and activists from 18 different countries gathered in Barcelona to attend the 6th Intensive Course on Truth Commissions, organized by the ICTJ and the Barcelona International Peace Resource Center on September 29 - October 3.