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In 1998, Colombian filmmaker Sergio Cabrera released “Time Out,” a fictional comedy in which guerrilla members and soldiers — usually mortal enemies — call a momentary truce to watch the national soccer team play in the qualifiers for the 1994 World Cup. Twenty years later, former combatants of both sides, members of the security forces, and victims of the conflict came together at Llano Grande in the region of Dabeiba to watch Cabrera’s film and play a game of soccer.

On October 14, The Gambia’s Truth, Reconciliation and Reparations Commission will begin public hearings with women victims who have dared break the nation’s silence around sexual violence. The hearings represent an important step toward the inclusion of women and their experiences in the Gambian truth-seeking process. But we cannot stop there.

The trend of missing and disappeared persons due to conflict remains more prevalent than ever today. Many governments around the world have remained undeterred in their abuse of power to invade a home or community and remove persons deemed to be a threat. This intractable problem has received global attention largely due to the efforts of family members who often risk their lives in pursuit of the right to know and ‍‍to bury their loved ones.

The Gambian Truth, Reconciliation, and Reparations Commission (TRRC) started its operations in January 2019 with the public hearings of witnesses, victims, and perpetrators. It has already succeeded in having high-profile perpetrators testify publicly on their role in violations concerning several victims. But the question is, who should be at the center of truth telling?

Banjul, June 12, 2019—“Never Again!” sings Awa Bling in her recently released song produced with the support of ICTJ. She is part of a movement of youth and prominent artists who are reclaiming this universal slogan by creating their own songs about transitional justice and bringing their voices to some of the most forgotten regions of The Gambia. Local and international fans can now access new music videos released on social media by five talented Gambian hip hop artists.

New York, June 3, 2019—Today, with just over a month to go before the 2019 UN High-Level Political Forum (HLPF) on Sustainable Development, ICTJ and its partners have released the Report of the Working Group on Transitional Justice and SDG16+, entitled “On Solid Ground: Building Sustainable Peace and Development After Massive Human Rights Violations.”

In the United States, the debate over a national reparations program for slavery and Jim Crow has until now encountered political opposition. However, transitional justice approaches at the community level are increasingly surfacing to address racial injustice. A handful of 2020 presidential candidates have come out in support of reparations for slavery. Recently, Georgetown University took center stage in this debate when its student body voted in favor of a student-led initiative to establish a fee that will fund education and health care programs for the descendants of 272 enslaved persons sold by the university in 1838.

Kaneleng are women who cannot bear children or whose children died at an early age. At a two-day summit held in December 2018, 25 kaneleng received training on transitional justice concepts. They worked to develop songs, comedy, and dramas that they will use to present justice messages through their work as traditional communicators.

NEW YORK – The Swedish International Development Cooperation Agency (Sida) has awarded the International Center for Transitional Justice (ICTJ) a grant of 40 million Swedish kronor to implement its Strategic Plan 2018-2022. During this period, ICTJ will respond to the growing demand for its services...

Recent recognition of the work of Nobel Laureate Nadia Murad has drawn global attention to the issue of sexual violence and gender-based violence in conflict. But, as ICTJ Expert Kelli Muddell argues, the nuances of gender norms and how they impact women, men, and vulnerable populations are still often missing from conversations about victims.