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ICTJ and the Bridges of Truth project are launching Tomorrow We Continue, a new short animated documentary that follows a young mother of two whose husband was detained and disappeared by security forces in Syria some years ago. The film takes the viewer on her journey as a refugee searching for safety in Berlin and depicts the daily struggles she encounters once settled as she tries to earn a living and care for her children while continuing to search for her husband. Since the uprising in Syria began in 2011, more than 100,000 people have been disappeared or arbitrarily detained. The families they leave behind may move to safer places as refugees, but the search for their loved ones persists wherever they go. This film is one of their stories.

New York, March 1, 2022—“There can be no peace in Syria until the rights of the wrongfully detained, disappeared, and their families are fully restored,” warns a new publication released today by the Bridges of Truth, a collaborative of eight Syrian civil society organizations and ICTJ. A Guide to...

New York, December 4, 2019—"Get ready to speak up and be heard because your voice matters!”—that is the message a new guidebook released today on transitional justice sends to Syrian youth. Produced by ICTJ and Dawlaty, a Syrian human rights organization based in Beirut, the guidebook introduces the concepts of transitional justice to young audiences in an engaging and interactive way while capturing the challenges of applying them in difficult contexts.

New York, May 29, 2020 — Time is of the essence for breaking the deadlock over the release of detainees, abductees, and the forcibly disappeared in Syria, says a policy paper released today by ICTJ and the New York University’s Center on International Cooperation (CIC). Coordinated action by the Syrian regime and other parties to the conflict, as well as the international community, must begin now, particularly as the spread of the coronavirus accelerates in Syria. The consequences of delay and a failure to act — for the detainees and their families — are likely to be calamitous.

This guide is designed to engage young people who are interested in or are working on transitional justice issues in their communities. Intended to serve primarily as a training tool, it provides basic information about transitional justice and related principles and offers tips and s...

Banjul, The Gambia – On October 26, 2019, t he International Center for Transitional Justice (ICTJ) in partnership with an artist collective in The Gambia will premier e a short documentary film about a group of young musicians and activists taking part in the country’s unfolding transitional justice process.

This document presents a non‐exhaustive summary of some of the topics discussed at a workshop on outreach organized by the ICTJ in collaboration with the ECCC from March 3-5, 2010. It first provides a general overview of the ECCC functions and outreach activities. Thereafter, it highl...

Recent recognition of the work of Nobel Laureate Nadia Murad has drawn global attention to the issue of sexual violence and gender-based violence in conflict. But, as ICTJ Expert Kelli Muddell argues, the nuances of gender norms and how they impact women, men, and vulnerable populations are still often missing from conversations about victims.

For the past few months, ICTJ, along with our partners at the Center on International Cooperation at New York University, has been working on a comprehensive new policy paper on the situation of the many thousands of Syrians detained somewhere in the country’s vast network of prisons. The depravity that goes on inside these detention sites is already so appalling that it would have been hard to imagine when we started the project that the situation for the prisoners could get any worse. And then the COVID-19 pandemic hit, upending all of our preconceptions, and our lives, in ways none of us ever expected.

Angkar, screened on June 16 at the New York Human Rights Watch Film Festival, follows Khonsaly, a victim of the Khmer Rouge, on his journey to the village he fled almost 30 years ago. The film, produced by Neary Adeline Hay about her father's experience with torture and repression, is an intergenerational offering to truth and memorialization work that dances between the inheritance of abuse and its painful recollection by a survivor.